Directed; by Aisling and Lauren

Camera; Pat and Margaret

Actors. Aisling, Lauren, Pat

Edited; Margaret,Lauren and Aisling

Final Video Tape; 

The story behind the video is ” A once time successful hurler, Hits hard times with the bottle, and is forced by alcoholism to live rough. He is unable to see the game on “sports TV” and has to settle for the radio. His heart is breaking as he tries to tune into the game. He is also thinking of his Glory days in the 70s when he was “sports star” 

PHYSCO IN THE SHOWER

Using editing techneques and effects in Final Cut.

Research

Editing;  The part of post-production where the video is assembled according to the Edit Decision List  There are two many types of editing, linear and non linear Jump cut  A video edit from one shot to another that seems jarring or unnatural. Edits between footage containing similar angles, composition, and subject matter can produce a jump cut. A jump cut can give the feeling of missing or deleted frames;

DIT

ALGENON, ACHIN, AND THE DISCO DANCERS

Produced by Lauren Johnson, Patrick Murray

Edited by Margaret White and Aisling Ni Chlaonadh,

Actors Patrick Murray, Margaret White, Lauren Jonhson, Aisling Ni Chlaonagh

Camera’s Aisling, Lauren

NOT FOR GIRLS

Directed; by Lauren Johnson,

Actors;;   Aisling Ni Chlaonagh, Lauren

Edited; Patrick Murray, Aisling Ni Chlaonagh, Lauren Johnson

Poker classic at dit ………. where honesty is a virtue…….., which goes without saying

Directed, By Pat,Margaret, Lauren, Aisling

Edited by Pat,Margaret, Lauren, Aisling

Camera; Pat,Margaret, Lauren, Aisling

Actors;Pat,Margaret, Lauren,

 Research;

Research 

Match cutting can also be called raccord, Is a technical term used for a cut in editing film from one scene to another in which two camera shots compositional elements match, which help to establish a strong continuity of action

Match cuts are simply straight cuts where the action is continuous through the edit. Soap operas and other forms of live television that are shot with multiple cameras often use match cuts to change camera angles. 

Hand held  shots; The hand held shots  

Camera angle. The angle from which a shot is taken is another way to give variety as well as information.

Over-the-shoulder shot

A shot of one actor taken from over the shoulder of another actor. An over-the-shoulder shot is used when two characters are interacting face-to-face. Filming over an actor’s shoulder focuses the audience’s attention on one actor at a time in a conversation, rather than on both

High-angle shot positions the camera above eye-level, looking down on the subject, which consequently appears insignificant, weak, helpless, or small according to how extreme the angle is.

 Eye-level, the impression is neutral.

Low-angle shot has the camera looking up at the subject, which then appears important, powerful, or domineering, again depending on how exaggerated the angle is. Usually the camera looks at the subject, but occasionally the camera shows what the subject is seeing.This is a reverse-angle shot.

Camera distance. There are three main shots describing how near or far the camera is from the subject

A close-up shows only one part of the subject, usually in great detail. Close-ups would include shots of a person’s face, or the paws of a dog walking down a path, of a hand on a doorbell, or of a tree branch.

A picture showing half of the subject, such as a character from the waist up or the back end of a car, is a medium shot, while a long shot shows the whole subject: a person from head to foot or the entire car. Any of these shots can show one subject or more at the same time.

Camera Moves

Another way to give television programs variety is for the camera to move. When the camera changes its position by moving left or right, this is called tracking. 

Changing the camera’s position by moving it forward or backward is known as dollying.

When the camera stays in the same position but turns left or right, this is panning, and when it turns up or down, this is known as tilting. Even when the camera is stationary and not turning it can appear to move closer to or further from its subject; by using a special ring or lever on the lens, the camera person can zoom in or out.

Although these moves are useful, they should not be overused or they will lose their effect. In fact, any camera movement must be planned and rehearsed so that it will be smooth and in tune with the action